Building a violin from the roof beams of the Frauenkirche in Munich, part 16

All the work on the surface of the violin is now complete.
After the neck has been glued in, I now cut the neck grip.
When the body is finished, I continue with the scroll.
Once the f-holes have been cut, the bass bar still has to be fitted.
The ceiling and floor are smoothed on the outside and the frame is ready. The next step is to finish the inside.
Next, I continue working on the architrave.
The next step is to start with the chipboard inlay. Many people think that the black lines on the top and bottom of the violin are just painted on.
After the edge thickness has been worked to the same thickness everywhere, the next step is to outline the shape of the violin.
Then we continue with the floor…
The model for the violin made of cathedral wood is based on a violin by Guarnereri del Gesù from 1741.
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Here you can see some of the materials used to build a violin. From left to right:
Molding board, top wood from spruce (cathedral wood)
This is a multi-part report on the construction of a violin from so-called “cathedral wood”, from the wooden beams of Munich’s Frauenkirche: